You Can See Everything: Amanda Seyfried Joins Nathan Fielder’s Film
Amanda Seyfried joined Nathan Fielder and co-director Lance Oppenheim to discuss her role in You Can See Everything, a documentary centered on Elizabeth Holmes and her partner, Billy Evans. Seyfried said she had no regrets about taking part, describing the experience as a ride she has enjoyed.

Amanda Seyfried discussed joining Nathan Fielder and co-director Lance Oppenheim’s documentary You Can See Everything in an interview published November 11, 2026. The film centers on Elizabeth Holmes and her partner, Billy Evans.
Seyfried appears in the documentary’s second half after previously portraying Holmes in The Dropout. Her involvement was kept secret from moviegoers, and the filmmakers said they approached her while considering how to widen the circle of people involved in the project.
How Seyfried joined the film
Fielder said the filmmakers had shot at a beach house with Holmes and Evans two years earlier. They were looking for a direction to take the project, and The Dropout came up as a reason to speak with Seyfried.
“I got your phone number through Emma Stone,” Fielder said. He recalled that Seyfried agreed to a 30-minute Zoom call, then invited the filmmakers to bring cameras to her home.
The plan, Fielder said, was to show Seyfried what became the film’s first half and talk about it. He said he was surprised she agreed without going through talent representatives.
Seyfried recalled thinking, “Nathan Fielder? Ooh, I wonder if he wants to make something with me?” She said she had no regrets about taking part.
“I’m having the time of my life right now!” Seyfried said.
A documentary built around Holmes
The film follows Fielder as he embeds himself in the home of Holmes and Evans shortly before Holmes reports to prison. Its scenes include a shower sequence, egg-whipping and close-ups of people staring into the camera.
Seyfried’s presence shifts the documentary into a conversation about her earlier portrayal of Holmes, as well as the experience of appearing alongside the real person. The interview also addressed an on-camera phone call with Holmes.
Oppenheim described the process of making and releasing the film as physically and emotionally intense, saying it “made my brain and body feel on fire.” Seyfried said she had enjoyed the experience.
The three collaborators discussed the project together for the first time since its premiere. The interview was Seyfried’s first on-record conversation about the film.
















