You can see everything trailer drops for Holmes doc
A24 has released a new trailer for You Can See Everything, Nathan Fielder and Lance Oppenheim’s 174-minute documentary about Elizabeth Holmes. The film follows Holmes in her final days of freedom and early prison period, and it now has an October 16 release date after premiering at Telluride.
NEW YORK — A24 has released a new trailer for You Can See Everything, the 174-minute documentary from Nathan Fielder and Lance Oppenheim that follows Theranos founder Elizabeth Holmes through her final days of freedom and first weeks in prison.
The film is already heating up awards season, and it carries an October 16 release date. It premiered to a full crowd at the Telluride Film Festival before the teaser and release announcement arrived.
That is the hook. Holmes is not treated as a distant subject here. The trailer shows Fielder and Holmes locked in an intense stare, while Holmes insists she is being honest.
You can see everything in the new trailer
The official logline says, “Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.”
The trailer keeps much of that mystery intact. It does show Holmes speaking directly to Fielder and promises a film that leans into tension rather than easy answers. In one exchange, Holmes says, “I don’t have anything to deceive you on,” then adds, “Of course I’m not deceiving you. I’m engaging with you as a human being. Why would I deceive you? There’s no reason for me to do that.”
Variety film critic Owen Gleiberman described the movie after seeing it at Telluride as “a one-of-a-kind reality-TV-as-hangout-movie psychodrama circus. Yet it’s been made with a spirit of true inquiry, driven by Fielder’s acidly quizzical personality.”
The setup matters because Holmes remains one of the most recognizable names in recent Silicon Valley history, and this trailer shows the filmmakers leaning into that recognition without flattening her into a simple villain or victim. The film’s title alone signals the project’s central tension: access, performance, and what happens when a subject tries to control the image while a camera keeps rolling.
For viewers, the immediate draw is not just Holmes. It is the pairing of Fielder’s deadpan presence with Oppenheim’s documentary approach, and the promise that the film will move from a portrait of one person into something stranger over time. A 174-minute runtime also suggests A24 is not packaging this as a quick-profile doc. It is a long sit, and the trailer wants audiences to feel that weight before opening night.
Telluride’s full-house premiere gave the project early momentum, and the October 16 release date now gives distributors, critics and awards watchers a fixed point to circle. A24 has not hidden the scale of the movie either, putting the runtime front and center as it pushes the trailer into circulation.
The sharpest image in the teaser remains the stare-down between Fielder and Holmes. No cutaway softens it. No commentary explains it away. Just the two of them, facing each other, and Holmes saying she is not deceiving him.
The trailer is minute-long, but the film itself runs 174 minutes.
